To have people queueing down the stairs of the poetry café, the poetry society’s home in London, was gratifying, and a packed house was the right vibe within which to celebrate three brilliant Lithuanian poets who had come to London as part of the London Bookfair Baltic celebration. The Lithuanian Cultural Institute were so supportive of the fest in general and this was a really memorable night, pleasing for me to deliver an event that really gave the poets a proper platform to show their works. We had some solo readings from a mix of visiting poets and European poets living in the UK (this blend integral to the festival’s remit) including Muanis Sinanovic from Ljubljana and Theodoros Chiotis from Athens, before new collaborations were presented by poets I had met teaching for the Poetry School on courses, both in person and online, about contemporary European poetry. They did me proud, and produced some remarkable live works. The night was finished with three new collaborations involving the Lithuanian poets and then everyone decamped to a covent garden pub. It was a really atmospheric night, the best I’ve ever put on in that venue.

See videos of every performance on the night and pictures too at www.europeanpoetryfestival.com/lithuania

Robert Sheppard's brilliantly inventive new book has just been released and I'm delighted to have been included Twitters for a Lark: The Poetry of the European Union of Imaginary Author is published by Shearsman Books at £9.99 and in available here: http://www.shearsman.com/ws- shop/product/6460-robert-sheppard-ed---twitters-for-a- lark

This is from Chris McCabe - Working in collaboration with a team of real writers, Robert Sheppard has created a lively and entertaining anthology of fictional European poets. There is no resultant ‘Europoem’, but a variety of styles that reflects the collaborative nature of the poems’ production, the richness of a continent. The works range from the comedic to the political, from the imaginatively sincere to the faux-autobiographical, from traditional lyricism to the experimental. Accompanied by biographical notes, the poets grow in vividness until they seem to possess lives of their own. Although devised before the neologism ‘Brexit’ was spat across the bitter political divide, this sample of 28 poets of the EUOIA (European Union of Imaginary Authors) takes on new meanings in our contemporary world that is far from fictive, ‘fake news’ or not.

The collaborators are: Joanne Ashcroft, Alan Baker, James Byrne, Alys Conran, Kelvin Corcoran, Anamaría Crowe Serrano, Patricia Farrell,Allen Fisher, S. J. Fowler, Robert Hampson, Jeff Hilson, Tom Jenks, Frances Kruk, Rupert Loydell, Steve McCaffery, Eiríkur Örn Norðdahl, Sandeep Parmar, Simon Perril, Jèssica Pujol i Duran, Zoë Skoulding, Damir Šodan, Philip Terry, Scott Thurston.

Twitters for a Lark heralds a new movement: the European Poetry Revival. It is a book that arrives like a new channel forged by collaborative poets, with all past ideals of state rolled up in an old five pound note. This illuminated sect of future Rimbauds lightens the island’s burden, the lights on their vessels burning like the tips of duty free cigarettes. Chris McCabe