A note on : EPF 2021, collaborating with Clea Chopard

An extraordinary poet and performer Clea Chopard is. I was lucky to work with her and I’m happy with how our collaboration turned out. Clea is brilliant with concepts and a really adapt improviser, so we worked up a couple of ideas and let it happen on the night, having met a few hours before for the first time. There was a levity in it, an ease, that is a credit to her skill and confidence. From translation to art poetry to talking performance to a kind of dance, and then being a poem burrito, human gift wrap, live walking poem board…

EPF Digital #7 - Three Norwegian Poets

Really some of favourite interviews I’ve conducted, with my friend and collaborator Bard, and the amazing Hilde, below, who will name two lambs after me. Worth a listen to all three pieces here, they are all very interesting, I think anyway.

EPF Digital 2020 presents two remarkable new long-form video-interviews with poets from Norway - Hilde Myklebust, discussing the darkness of nature from her remote farm and Bård Torgersen, chatting about transgression and ritual, amongst many other things! Plus a brand new video-poem commission by Norwegian writer Bjørn Vatne, a musical collaboration with artificial intelligence. More on their work can be found www.europeanpoetryfestival.com/norway

Supported by NORLA - Norwegian Literature Abroad and The Norwegian Embassy in the UK.

EPF Digital #3 - Four Latvian Poets...

EPF Digital 2020 presents presents new long-form video-interviews with poets from Latvia, featuring Inga Pizāne, Krišjānis Zeļģis, Marija Luīze Meļķe and Lote Vilma Vītiņa. More on their work can be found www.europeanpoetryfestival.com/latvia

Supported by Platform Latvian Literature / EPF Digital is an eight part online festival, presenting long-form video interviews and entirely original poetry films. Unable, finally, to take place in the flesh this year, the festival will present poets from Switzerland, Austria, Latvia, Sweden, Hungary, Lithuania and more, leaning in to what can be created without proximity, generating new insights into poetic practice in continental Europe and creating ambitious film-poetry collaborations especially for this two week e-fest. www.europeanpoetryfestival.com/2020

European Poetry Festival Digital begins - Three Swiss Poets

EPF Digital begins! After two cancellations, I’m happy that I bit the bullet and decided to lean into some proper online content. Masses to come, 9 interviews, 3 films, and more. This opening is just the beginning of stuff coming out over the next two weeks…

An eight part online festival, presenting long-form video interviews and entirely original poetry films. Unable, finally, to take place in the flesh this year, the festival will present poets from Switzerland, Austria, Latvia, Sweden, Hungary, Lithuania and more, leaning in to what can be created without proximity, generating new insights into poetic practice in continental Europe and creating ambitious film-poetry collaborations especially for this two week e-fest.  / The full program is available to view www.europeanpoetryfestival.com/2020 and the 'events' will be released via this newsletter and online every few days November 23rd to December 10th. To begin, we are very happy to present three new long-form video-interviews with Swiss poets to kick off EPF Digital 2020. More on the work of Laura Accerboni, Rolf Hermann and Linn Molineaux is available at www.europeanpoetryfestival.com/swiss with videos below and on YouTube. These interviews are supported by Pro Helvetia and are part of the Maintenant series at 3am magazine.

A note on: Sampson Low European Poetry Festival publications 2020

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Very happy to have edited a new triple batch of publications for the European Poetry Festival Sampson Low publications scheme we started in 2019. Lots more information on the books and poets https://www.europeanpoetryfestival.com/sampsonlow

»My Haarschwund« by Franziska Füchsl
Alternative Title : BOOK by Max Hofler
The Patron Saint of Nightly Fire by Robert Prosser

These brand new publications by contemporary literary and avant-garde Austrian poets have been produced in limited editions by London-based press, Sampson Low. With both new translated volumes alongside conceptual collections, these are outstanding representations, in English, of three of the most interesting poets working across Europe, let alone Austria.

All can be bought https://sampsonlow.co/wck-pamphlets/european-poetry-festival-books/

Huge thanks to the poets, to Alban Low and to the Austrian Cultural Forum London and Kingston University, for supporting the books.

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EPF2018 #6: Lithuanian focus at European Poetry Festival

To have people queueing down the stairs of the poetry café, the poetry society’s home in London, was gratifying, and a packed house was the right vibe within which to celebrate three brilliant Lithuanian poets who had come to London as part of the London Bookfair Baltic celebration. The Lithuanian Cultural Institute were so supportive of the fest in general and this was a really memorable night, pleasing for me to deliver an event that really gave the poets a proper platform to show their works. We had some solo readings from a mix of visiting poets and European poets living in the UK (this blend integral to the festival’s remit) including Muanis Sinanovic from Ljubljana and Theodoros Chiotis from Athens, before new collaborations were presented by poets I had met teaching for the Poetry School on courses, both in person and online, about contemporary European poetry. They did me proud, and produced some remarkable live works. The night was finished with three new collaborations involving the Lithuanian poets and then everyone decamped to a covent garden pub. It was a really atmospheric night, the best I’ve ever put on in that venue.

See videos of every performance on the night and pictures too at www.europeanpoetryfestival.com/lithuania

EPF2018 #5: European Poetry Festival celebrates Sound & Performance at Iklectic Artlab

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An extraordinary venue and a grand night of innovative live poetry, from the sonic to the electronic to the vocal to the conceptual. Eduard and the team (including Tony the Cat) at IKLECTIK are doing an amazing job and were so hospitable, we really felt like we were in someone’s beautiful living room. The place was nicely full, a good 70 people sat in to watch a real range of works. It was the first time I got to put on poets I’ve admired for years like Rike Scheffler from Berlin, Sergej Timofejev from Riga, and it was great to have back on in London poets like Robert Prosser from Vienna and Kinga Toth from Budapest. Range was the key element here, again, and the works complimented each other. It was a little nubache for me to run all the tech from my laptop while also filming but worth it, this movement of poets across Europe worrying about liveness and sound and time needed to be acknowledged in its own space and place.

See videos of every performance on the night and pictures too at www.europeanpoetryfestival.com/performance