Published: How I Did It - ‘The Interrupters’ my article for The Poetry School

http://campus.poetryschool.com/how-i-did-it-the-interrupters/ An intriguing series from the Poetry School, hosted on their Campus platform, where they ask poets to discuss the process of writing a specific poem of theirs. Some previous editions were really interesting, but more often than not made me realise how different my process can be from the norm. So this article, where I discuss my poem The Interrupters from my recent collection {Enthusiasm} published by Test Centre, is an attempt to honour the article's remit but still maintain a true reflection of my actual methodology.

"I suppose each collection I have published has been an attempt to relate a style, or form, or concept, to a subject. Not the other way round. No collecting has been done after the fact, the fact has been established and then the collecting. My process is one toward a changing ideal. I don’t denigrate those who are consistent, or whose evolution is subtle, but I personally find the notion of radical growth, or variance, to be something I aspire to. It comforts me that my work is different book to book, that I produce things that bear not a singular stamp of my authorial ‘voice’, for I find that idea unrepresentative of my experience of being. It is not a metaphor to say we contain a multiplicity. I am a different person depending on my mood, my company, my job… As such I am a different poet, I have a different voice when writing about boxing than I do when writing about prisons, or when I’m using collage technique as opposed to visual poetry. And most especially when I’m writing mostly at night, as opposed to the morning, or when I’m reading mostly one poet as opposed to another."

Published: Poems translated into Romanian on Poesis International

Thanks to the brilliant poet / editor Claudiu Komartin and the translator, Ramona Hărșan, a series of my poems, from my collection the Rottweiler's Guide to the Dog Owner have been translated into Romanian and published on the highly regarded Poesis International journal online. They appeared in print earlier in the year but now everyone can have a look.

http://poesisinternational.com/poeme-de-s-j-fowler/

A note on: Performing at the Whitechapel Gallery for the New Concrete Launch

A really ambitious program curated by Chris McCabe and Victoria Bean, editors of the anthology the New Concrete, for the launch of the book at the Whitechapel Gallery on July 25th. Over three hours of kinetic poems and performances - screenings, readings and more. It was a really generous, communal atmosphere, good to see old friends and meet quite a few poets I have long admired but had yet to encounter in person.

I really wanted to follow my more conceptual performances at Tate Modern and Cafe Oto recently with something similarly performative and distinct, and thoughts of how one might perform a concrete poem led my to Lego. I had only the specifics of the ideas on the morning of the performance, so after rushing to a Lego shop and dropping more money than Id thought Id need to on the bricks, I had only one chance to practise making the letters, in a coffee shop next to the gallery itself. In the end, it went nicely, I managed to stay within the 4 minute limit.

my poem in the New Concrete anthology

The most beautiful anthology I've been a part of, my poem is rendered wonderfully in this major achievement, summing up the best of 21st century concrete poetry. You can buy the book here http://shop.southbankcentre.co.uk/the-new-concrete-visual-poetry-in-the-21st-century.html & it'll be launched here http://www.whitechapelgallery.org/events/new-concrete/

Talking Performance at Tate Modern

www.stevenjfowler.com/talkingperformance 

A wonderful experience to be able to showcase a performance at Tate Modern, to be commissioned by them to explore the theme of public speaking, digression and derivation. Held in the East Room, on level 6 of Tate Modern, overlooking the Thames, it was a chance to present an original, extended piece of performance which explored speech, biography, truthfulness, sound and rhythm. 

Speaking rather relentlessly for half an hour, and swarming a supposed poetry reading with improvised speech, I attempted to explore the notion of biography, of audience and performer hierarchy, and the human relationships possible between them, the nature of poetry readings, their bracketing of attention and the limits of that, the nature of the introduction as a form, the experience of language in excess and speed, the notion of collectivity in performance and in intimate physical proximity, the 'poetic' and what people understand by poetic and therefore non-discursive language, and finally truthfulness, salesmanship, the rhythm of comedy, and, I suppose, at the very end, disappointment. 

The performance was followed by an extended discussion with curator Marianne Mulvey and Patrick Coyle, with whom I had the privilege of sharing the bill. Contextualising the choices I had made performatively so soon after performing was fascinating, when my piece had been about blurring the lines between genuine feeling and sentiment, verity and falsehood, I couldn't help but feel what was essentially a meta performance then became a meta discussion, where no one could really believe what I was saying. This perhaps solidified the purpose of what I was trying to do, constantly acknowledging context and the limits of communication. 

The piece was a product of a generous developmental process, and to have Joseph Kendra help me from the off, then to be joined by Marianne Mulvey as the performance neared, was really pivotal - to have the attention of professional curatorial expertise, it is akin to having a good editor for a manuscript. And to share the event with Patrick Coyle, a close friend and someone I've admired and collaborated with for a such a long time, made the experience all the more resonant. 

Reading {Enthusiasm} in front of Matt's Gallery, on a ladder

A six by eight foot billboard hung outside X Marks the Bokship at Matt's Gallery, Mile End, London. The image, the cover of SJ Fowler's 2015 poetry collection {Enthusiasm} published by Test Centre. http://testcentre.org.uk/product/enth...

The video, shot by Jess Chandler, features Fowler reading in front of the billboard, on a ladder. The recording, made in the The Cast of the Crystal Set recording space, curated by Eleanor Vonne Brown, features an assortment of poems from the eponymous collection.http://bokship.org/xaudio.html

The Enemies Project: Croatia - July 31st at the Rich Mix Arts Centre

A collaborative poetry event where the best of a vibrant contemporary Croatian poetry scene present brand new works written with their British counterparts. Celebrating the potential of collaboration to create dynamic new poetry that transcends style and language, the Enemies project: Croatia, with events in both Britain and Croatia, has its crescendo at the Rich Mix Arts Centre. Fourteen poets in seven pairs present their collaborations, for a unique evening of Anglo-Balkan poetry.
www.theenemiesproject.com/croatia

Featuring new collaborations from: Damir Sodan & James Byrne / Tomica Bajsic & Sandeep Parmar / Maja Klaric & SJ Fowler / Tamar Yoseloff & Justin Hopper / Harry Man & Kirsty Irving / JT Welsch & Nathan Walker / JR Carpenter & Mary Paterson

The Enemies Project summer program: without doubt the most ambitious run of events we've put on. A thanks to all who attended, or participated. The links below contain video recordings of all the readings.

Feinde: Austrian Enemies - May 1st to 14th www.theenemiesproject.com/feinde
A exhibition and readings at the Rich Mix, the Hardy Tree Gallery and the Austrian Cultural Forum, over 30 new performances celebrated the visit of Ann Cotten, Jörg Piringer, Max Höfler and Esther Strauss.

European Literature Night Edinburgh - May 14th www.theenemiesproject.com/eln
Five readings in one night with poets from over a dozen European nations for UNESCO Edinburgh: city of literature's 2015 European literature night.

Gelynion: Welsh Enemies - May 19th - June 5th www.theenemiesproject.com/gelynion
Hugely successful tour of Wales, visiting Newport, Cardiff, Swansea, Aberystwyth, Bangor, the Hay-on-Wye festival & London, with over 60 poets reading across both nations.

Mahu: an exhibition - June 6th to July 14th www.theenemiesproject.com/mahu
11 events over three weeks in the Hardy Tree Gallery, Kings Cross, London, each curated by a different organisation, press or theme.

The Berlin Camarade - June 23rd www.theenemiesproject.com/berlin
14 brand new collaborations, a celebration of the depth and vibrancy of the contemporary Berlin poetry scene. Hosted and supported by Lettretage.

The New Concrete anthology: launch at the Whitechapel Gallery - July 25th

This is the most significant anthology of concrete poetry of my generation. I'm delighted to be included, and alongside many friends / peers - Antonio Claudio Carvalho,  Marco Giovenale, Tom Jenks, Sarah Kelly, John Kinsella, Anatol Knotek, Márton Koppány, nick-e melville, and Jörg Piringer  & legends like Vito Acconci, Augusto de Campos, Henri Chopin, Bob Cobbing, Ian Hamilton Finlay https://thenewconcrete.wordpress.com/about

"The New Concrete is a major new anthology of visual poetry edited by Victoria Bean and Chris McCabe and published by Hayward Publishing (July 2015). The book represents visual poetry published from 2000 to the present day and suggests ways in which the original concrete movement of the 1950s and ’60s has been built upon, developed and redefined by subsequent generations of poets and artists." You can buy it here http://shop.southbankcentre.co.uk/the-new-concrete-visual-poetry-in-the-21st-century.html

The anthology will be launched in a full whack 5 hours programme at the whitechapel gallery on July 25th http://www.whitechapelgallery.org/events/new-concrete/ I'll be performing "Join us for an afternoon of film and live performance showcasing some of the most exciting work in this field. The event brings together some of the most celebrated poets and artists working at the intersection of visual art and poetry."

Performing at Cafe Oto: July 20th for Daniela Cascella's FMRL

Really pleased and privileged to be part of this grand lineup of artists responding to Daniela Cascella's amazing book https://www.cafeoto.co.uk/events/day/2015/07/20/

DANIELA CASCELLA – ‘F.M.R.L. FOOTNOTES, MIRAGES, REFRAINS AND LEFTOVERS OF WRITING SOUND’ BOOK LAUNCH - £4 £3.30 (WEGOTTICKETS)
Book launch event for ‘F.M.R.L. Footnotes, Mirages, Refrains and Leftovers of Writing Sound’ by Daniela Cascella (Zer0 Books). With Christian Patracchini, Colin Potter, David Toop, Elaine Mitchener, Georgia Rodger, James Wilkes, Patrick Farmer + Trevor Simmons , Richard Skinner, Rie Nakajima, Salomé Voegelin, Steven J Fowler.

For her book launch Daniela Cascella has asked artists, writers, performers, musicians to remix, rewrite, re-read the book: to use the book as raw material and to present a series of short responses in any form or medium. This event is the fourth and last in the reFMRL series, that challenges the conventional format of the book launch to work instead with the book as material presence, and to enhance the polyphonies that inhabit and form F.M.R.L. https://enabime.wordpress.com/2015/05/08/refmrl-curating-conversing-drifting/

Listening into writing, reading into writing take shape in F.M.R.L. through a collection of short texts, fragments and deranged essays, with attention to pacing and linguistic derives. An archive of books, notebooks, events and records prompts the texts in these pages, responding to encounters with Michel Leiris’s autobiographical fictions; concerts and events at Café Oto and the Swedenborg House in London; visits to museums such as the Pitt Rivers in Oxford and exhibitions such as Ice Age Art at the British Museum, among the others.

F.M.R.L. is a book constructed across sonic patterns, assonance, repetitions, comprising texts that intermittently drift from sense to sound and to nonsense and back. A flip from the immateriality of sound to the sounds of letters and words as material, a call from reading to voicing. www.zero-books.net/books/f-m-r-l

This event is produced in collaboration with SARU, Sonic Art Research Unit, Oxford Brookes University. http://www.sonicartresearch.co.uk

34 readings in 51 days

From May 8th, when Feinde: Austrian Enemies began, to June 27th, when the Mahu exhibition events program ended I was read, performed, collaborated or organised 34 readings in those 51 days. It was a patch of time I had cultivated as active, always wanting an ebb and flow between periods of relentlessness and calm, and yet I did rather blunder into it too. I've had the privilege of staying busy with creative stuff the last two or three years but this was probably the most intensive patch. I learned things through it that will change the way I approach almost everything, both good and bad, which is perhaps it's greatest result, but more than anything the extraordinary experiences I had with people are what stays with me. I met at least a 1000 new poets, artists or people interested in that. I am grateful, and what does truly stay with me after these few months, for the hospitality, energy and friendship of so many. 

From Feinde, working with Jorg Piringer who I admire so much, and making deep friendships with Esther Strauss, Max Hofler, Ann Cotten and the amazing Theodora Danek, and all the brilliant British poets who were involved, Jen Calleja, the Bohman brothers, Robert McClean, Emma Hammond, Cristine Brache, Prudence Chamberlain, Eley Williams ...

to Euro Lit Night Edinburgh and the beautiful hospitality of my friends Colin Herd, Ryan Van Winkle, Graeme Smith, nick-e melville, Iain Morrison and so many others .... to the Garden Museum and Jo Gibbons and co who are kind enough to have me in residence at their Landscape Architecture firm ... to the Five Years Gallery, spending lovely time with Fabian Peake, Giovanna Coppola, Phyllida Barlow, Clover Peake ... to Kettle's Yard, and an amazing night with Sarah Turner and Lyn Nead beneath Gauder-Brzeska's Wrestlers...

to Gelynion! one of the very best Enemies projects, so full of heartfelt support and exchange and friendship. To Nia Davies, Joe Dunthorne, Eurig Salisbury, Zoe Skoulding, Rhys Trimble, Annwn and the amazing array of poets who could not have given more to the readings in Newport, Cardiff, Swansea, Aberystwyth, Bangor ... to Hay-on-Wye, which I found to be completely welcoming and full of interesting people, to my friends Nell Leyshon, Daniel Hahn, Rosie Goldsmith and others who showed me around

to {Enthusiasm} and it's launch, and the incredible relationship I have been lucky to cultivate with two extraordinary people - Will Shutes and Jess Chandler, to whom I owe much, ... & to Eleanor Vonne Brown at X Marks the Bokship ... & to Kit Caless, Gary Budden, Tom Chivers and Iain Sinclair, for that special day at the Stoke Newington Literary Festival

to my friends in Berlin, to the generous hospitality of Chris Szalay, Daniela Seel, Cia Rinne, Alexander Filyuta, Alexander Gumz, Moritz Malsch, Katharina Deloglu, and all the people from around the world, from China to Sweden, who I met and began relationships with, many of which I am sure will bear fruit.

& finally to Mahu, and the near 400 people who crammed into that beautiful hidden space in St Pancras over 11 nights last month ... to all the guest curators who took their tasks so seriously, to all my friends who visited, and strangers alike, who offered kind words about the work on exhibition. my beautiful sister who travelled so far to see it - to Lotje Sodderland, Dave Spittle, James Davies, Michael Weller, Stephen Emmerson, & so so many more, and most of all to Cameron Maxwell and Amalie Russell, I could not have had a better experience in my home from home the Hardy Tree gallery

 

Talking Performance: Tate Modern - July 18th

A Talking Performance: July 18th at the Tate Modern View this email in your browser

Talking Performance
Tate Modern : July 18th 2015
East Room : Level 6 : 3pm - 5pm
£9, concessions available

I'm happy to say I'll be performing at Tate Modern on July 18th, presenting a new work about digression, derivation and garrulousness. 

From the Tate: "The London based poets, writers and artists Patrick Coyle and SJ Fowler perform new works that push the boundaries of what we understand by performance and poetry. Following an hour of performance this is an opportunity to join them in an in depth discussion to further explore these disciplines and other notions of the avant-garde." http://www.tate.org.uk/whats-on/tate-modern/talks-and-lectures/talking-performance-patrick-coyle-and-sj-fowler

www.stevenjfowler.com / www.theenemiesproject.com

Updated: Hubbub & Poetry School webpages

Finally I've filled up two sections of my site with all the relevant info that does them justice. My current and ongoing residency with the Hubbub at Wellcome Collection www.stevenjfowler.com/hubbub and the last few years teaching for the wonderful Poetry School www.stevenjfowler.com/poetryschool

Both include videos, blogs and general writings about my residential / pedagogical processes

Berlin Poesiefest 2015

Though I have had the privilege to present my work a few times in Berlin, the first time reading & presenting at the Berlin Poesiefest was an intense experience. I had the chance to stay for nearly a week thanks to the festival and the time in the city, as is often the case – that is the process of being there, rather than the work I presented – will be the enduring legacy of my participation. I had the opportunity to turn acquaintances into friendships, and to make many acquaintances which will become friendships, with people who had travelled from across the world. http://www.literaturwerkstatt.org/en/poesiefestival-berlin/home/

I presented a keynote on collaboration, in a colloquium which featured Cia Rinne, Ricardo Domeneck, Kenneth Goldsmith and others, over a four hour session. I laid out the principles behind the Enemies project, engaged in a few discussions and then ripped up another of my books to give to the audience, and ask them to read back to me. A privilege to be there and share my ideas with such a discerning audience.

Berlin Camarade: June 23rd at lettretage

Really the hospitality Lettretage had shown me on our first meeting, in early 2015, and the interest I have in so many poets in the city of Berlin, how exciting I think their work is, drove me to put on an extremely ambitious Camarade event in June 2015. Thanks to the generosity of Daniela Seel, I was able to invite poets from different scenes in the city, as well as people I knew and followed, and some British poets visiting. The end result was really one of the better events in the history of the Enemies project, with 28 poets in 14 pairs each presenting really high quality work, with such a variance of style and approach, yet with a palpably shared sense of community and aesthetic. Amazing to have the likes of Cia Rinne, Uljana Wolf, Jeroen Nieuwland, Sam Langer, Alexander Filyuta, Tom Bresemann, Catherine Hales, Max Czollek, Ernesto Estrello, Rike Scheffler & many others involved. It was not one of the easier events to put together, the city not being without it’s literary politics, but the result was worth the labour and for the sheer pleasure of seeing such brilliant poets, some of whom were discoveries to me, in terms of live performance, I could not help but feel humbled by people’s enthusiasm and engagement.  www.stevenjfowler.com/berlin

Mahu: a World without Words - June 17th 2015

Always a beautiful thing to be around people like Lotje Sodderland, Harry Man and Malinda McPherson, such is their intelligence and generosity of spirit. We presented our second www.aworldwithoutwordsevent.com in the Hardy Tree Gallery, during my exhibition, Mahu. Everyone followed on from the themes of the premiere event, and I had the chance to speak about my experiences in martial arts and my research on CTE and brain damage. Lotje and I has a structured chat too. A fine time was had by all.